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Posted on Sep 2nd, 2011 by Laura • Category: A Dangerous Method,Events,Gallery

Earlier today Keira attended a photocall for A Dangerous Method during the Venice Film Festival. She looked absolutely beautiful in a patterned Mary Katrantzou dress. Pictures are in the gallery.





Posted on Aug 30th, 2011 by Laura • Category: Last Night,Media Alerts,Videos

Last night Keira was interviewed on the Charlie Rose show! It’s a really in-depth interview in which Keira discusses the upcoming release of  Last Night. The interview also includes a few film clips (most we have seen before).





Posted on Aug 17th, 2011 by Laura • Category: A Dangerous Method

Finally we have a released date for A Dangerous Method! Collider repors that the film will make a limited release on November 23rd.

First up, two hotly anticipated films now have prime awards season release dates. David Cronenberg’s A Dangerous Method will open in limited release on November 23rd, opposite two other Oscar bait limited release films: The Descendants and The Artist. The film stars Michael Fassbender, Viggo Mortensen and Keira Knightley and centers on the relationship between Carl Jung (Fassbender), his mentor Sigmund Freud (Mortenson), and the woman that came between them (Knightley).





Posted on Aug 5th, 2011 by Laura • Category: A Dangerous Method,Gallery

A newly released poster for A Dangerous Method has been added to the gallery.





Posted on Aug 5th, 2011 by Laura • Category: Gallery,Interviews,Media Alerts

Keira is on the cover of Septembers issue of Marie Claire Australia. Check out the cover in the gallery, she looks great. Hopefully more from this photoshoot will be released soon. Read the interview below.

The setting for our cover shoot with Keira Knightley looks like something out of a dream sequence from Gossip Girl. The sunny Los Angeles studio is filled with racks of couture clothing. On a table flanked by beefy security guards sits more than $2 million in jewellery; another holds dozens of pairs of shoes. I finger the jewels in front of the stone-faced guards while waiting for Knightley, the new face of Coco Mademoiselle, to make her entrance. I half expect the young actress to sashay into the room with heaving bosom and hoop skirt – after all, no woman alive has brought more sex and intrigue to period dramas – but I couldn’t have been more wrong. Instead, a young woman appears at the door in a pleated skirt and blazer with brown lace-up shoes, greeting everyone with sweet, clipped hellos. Spotting Ben, her hairdresser, she makes a dash from the crowd around her and engulfs him with hugs and kisses. This girl knows where her bread is buttered.
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